Unless you’ve been living under a rock for the past few days, you’ve probably heard about the recording.
Yes. The recording. The one involving one of Hollywood’s hottest stars on the set of one of the year’s most-anticipated films threatening a crew member amidst a string of obscenities.
As soon as the audio hit the internet, something snapped. I think cyberspace tore a tendon. Everyone was buzzing about how Christian Bale freaked out on the set of Terminator: Salvation and cussed out a crew member who had interrupted his take. Links were posted. Within 48 hours, parody recordings and videos were made. Songs about the incident were professionally recorded. Stephen Colbert and Steve Martin reenacted what happened on an episode of The Colbert Report. Not since the Star Wars Kid have geeks had this much fun with leaked media.
Everyone seems to have an opinion. Many members of the media have attacked Bale and noted the irony of his implied “unprofessionalism.” Others, like Whoopi Goldberg and assistant director Bruce Franklin, have defended the actor, claiming that the acting craft is so challenging that it justifies an explosion like this.
Both sides are wrong.
Christian Bale is not a raging madman who will verbally assault people with every minor inconvenience. Steve Hurlbut is not an amateur incapable of lighting the broad side of an underground bunker. McG is neither the worst director in the business, nor a messianic franchise-rebooter like some seem to believe. They’re just human beings, plain and simple. And nobody has the moral high ground here.
Allow me to elaborate based personal experience. I do have some experience as a director. Granted, I’ve only done a few no-budget student films with non-professional actors. But I’ve also worked on the crew of bigger productions, and have communicated with others who have far more production experience than me. When it comes to workplace environment on a film set, what holds true for small productions seems to hold true for the larger ones. And if there’s anything I’ve learned in my interactions with the movie business, it’s this:
If an actor has a problem, he should discuss it with the director in private, rather than make a big deal about it in front of everyone. If there’s one way to demoralize people, it’s to let them see some of their bosses or co-workers having a shouting match. And let’s think about this – which group of people has the most control over a film’s aesthetic quality? The crew. It doesn’t take a genius to see that humiliating one of their leaders in public probably isn’t the best idea in the world.
Like most conflicts, disagreements between cast and crew can and should be solved diplomatically. Whoopi Goldberg and Bruce Franklin can blather on all they want about how acting is an art, and things that disrupt the craft shouldn’t be tolerated. But you know what? Lighting is an art. So is sound. So is editing. So is directing. Actors are only one small piece of the larger puzzle that is a film. They are no more important than any other major crew position.
The fact that actors make more money than most of the other crew positions doesn’t matter. It doesn’t change the fact that a film set is essentially no different from any other work environment. Suppose instead of being an actor, Christian Bale was a successful office manager. If he screamed profanities at his co-workers for four minutes straight, threatened to tear down their cubicles, and said he was going to kick their asses, he would be fired in an instant. Actors shouldn’t be given any special privileges. Unless “permission to stop production so I can yell at people for a while” is in their contract, that kind of action should not be tolerated. Who knows, maybe he’s really polite most of the time, but that doesn’t change the fact that for a few minutes there on the set Christian Bale crossed the line of proper workplace behavior.
Everyone is at fault here. Hurlbut shouldn’t have walked across the set to change a light. Bale shouldn’t have exploded. McG and the rest of the crew shouldn’t have let him get away with it. There is no right and wrong in this situation, no matter what the studios or internet message boards might have you believe. This audio clip is a perfect example of what happens when not one, but every person on a film set acts unprofessionally.