It's this casual style of dialogue and relating to people that seems the most obvious characteristic of his films. Now, personally, I think as a filmmaker Smith is a mixed bag. He's no Kubrick, but he does have a few strengths, particularly when it comes to dialogue and mixing good character interactions with his hallmark brand of raunchy humor. Not to mention that when he wants to he can craft a pretty intelligent commentary and social satire - Dogma and Chasing Amy are two of the most intelligent and sharper comedies of the 90s, in the my opinion. I wouldn't call myself a huge fan of his movies (I'm one of the few people who finds Clerks to be tremendously overrated, which essentially amounts to blasphemy among his rabid fan base), but I do look forward to seeing them because at the very least I can usually enjoy myself.
Last week, I had the opportunity to go to a screening of Smith's new film, Zack and Miri Make A Porno. The movie isn't released until this weekend, but here's an advanced review that I wrote for my university newspaper. Hopefully this will give you an idea of whether or not Zack and Miri is the kind of comedy you'll like.
Full Review
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NOTE: Previously published in The Technician newspaper.
There is a moment in Zack and Miri Make A Porno that everyone will remember. It’s the kind of thing that audience members immediately start talking about once the credits begin to roll, just to make sure they actually saw what they think they saw. Without giving too much away, all I’ll say is that it’s a joke involving human fecal matter that is so graphic and shocking, you’ll laugh simply because you don’t know how else to respond.
Such is the nature of Kevin Smith’s new movie: you’ll laugh not necessarily because what’s on screen is actually funny, but because not to do so would be to acknowledge that you’ve spent money on the kind of crass substance you could find on the Internet for free, or just by asking your friends to make a dirty joke.
The plotline is simple: Zack (Seth Rogen) and Miri (Elizabeth Banks) are long-time best friends who decide to make a no-budget pornographic film to raise money for their rent. But when it comes time for the two of them to “do the deed” on camera, their friendship is tested by the resulting complications. Think When Harry Met Sally with porn, and jokes that would make Ron Jeremy blush.
The problem with Zack and Miri isn’t that it’s a raunchy movie, it’s that it’s a movie built entirely upon raunch. Smith has long been known as a director that embraces poop and sex jokes, but he usually has the ability to write compelling characters and craft genuinely engaging relationships that set his films apart from the typical juvenile sex comedy.
Unfortunately, while Zack and Miri does attempt to insert conflict into the relationship of its protagonists (in what ends up being the film’s most well-crafted and heartfelt scene), this ultimately is overshadowed by the sheer volume of jokes that serve no purpose except to shock and offend. It’s as if when Smith was writing the script, all he could think was, “I’ve got to top the donkey scene from Clerks 2!” The result is a film that comes as close as possible to being actual pornography, and that should have kept its original NC-17 rating.
This is no Dogma or Chasing Amy, which infused an effective amount of commentary and social satire between the dirty jokes. While the premise could easily be utilized to ask thought-provoking questions about the treatment of sex in American society, or the fusion of sex and capitalism, Zack and Miri chooses to ignore these opportunities in favor of getting in a few extra penis and fart jokes. Nor does it approach anything like Clerks 2, which successfully crafted a sappy and sweet story of friendship amidst scenes of bestiality and ass-to-mouth punchlines. We’re left with a film that retains Smith’s gift for snappy dialogue, but the fact that 99 percent of the jokes are unprintable should tell you something. Casually dropping f-bombs and the c-word may seem edgy and innovative, but that doesn’t always mean it’s good.
The movie is not a total failure. The first third is strong, and Zack and Miri’s relationship comes off as one of the more charming and refreshing in recent memory. The craftsmanship is superb – Smith is growing as a filmmaker in terms of his visual style. And he’s clearly becoming more adept at directing actors. Justin Long and Brandon Routh steal the show as gay porn stars, and don’t be surprised if Craig Robinson’s (The Office) performance as Zack’s co-worker-turned-producer makes him the next big name in comedy.
I also should point out that the movie is very funny at times. The problem is that, like the relationship of its two leads, once porn and sex directly enter the picture, what started out as a dirty-yet-fun comedy becomes a muddled and distracting string of sex jokes, each designed to be more over-the-top and offensive than the last. While I can appreciate the use of shock value in comedy, shock alone can’t hold a whole film. At some point, one must remember the story and characters. It says something about the quality of Smith’s writing that the film is most engaging when it takes its characters and their conflict seriously. If he had chosen to focus more on the “Zack and Miri” part of the title rather than the “Make A Porno”, the result might have been one of his more endearing and well-crafted films.
If you just want to sit back and watch some sex gags for 100 minutes, you’ll probably have a blast. As it stands, though, Zack and Miri Make A Porno is all raunch and very little heart.
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The Good* It's an interesting premise. |
The Bad* So much emphasis is placed on raunchy humor that at times this overshadows the human element of the characters and makes them hard to sympathize with. |
Rating (out of 10)
Plot/StoryIt's a decent premise. Unfortunately, too much time is spent getting to the next punchline rather than focusing on developing the characters and plot in any unpredictable way. |
6 |
Acting/CharactersThe acting is top-notch. It's worth seeing for Justin Long, Brandon Routh and Craig Robinson alone. Unfortunately, with the exception of Zack and Miri, most of the characters are pretty one-dimensional and play on common stereotypes. |
6 |
Script/DialogueSmith's knack for dialogue is on full display here. Unfortunately, the script is really just a bunch of sex jokes held together with a rather loose storyline. |
7 |
DramaThere are moments in this film that are genuinely dramatic, when Smith takes his characters and their conflict seriously. Unfortunately, these are mostly overshadowed by the raunch around them. It's like trying Smith is trying to bring the same sappy sentiment that he brought to his characters in Clerks 2, but didn't want to develop it to any extent that might briefly stop the sex talk. |
5 |
PacingThe first half is paced extremely well. Unfortunately, the second half drags a bit, mainly because rather than spending enough time on his primary character conflict, Smith keeps trying to distract the audience with graphic sight gags. |
6 |
Total |
6 |



